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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Film
California
Dream
Design
Like
Industry
Building
Started
Wonder
Dwellers
Rather
Buildings
Artist
Desert

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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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Western history has been a history of deed done, actions performed and results achieved.
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No amount of thought can ever reveal what comes unexpectedly.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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Our universities advocate fragmentation in their course systems.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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Illusion is needed to disguise the emptiness within.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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Our settlement of land is without regard to the best use of land.
Arthur Erickson