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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Everything
Euphoric
Modernism
Constraints
Released
Gone
Freedom
Artist
Sense

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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Western history has been a history of deed done, actions performed and results achieved.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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Materialism has never been so ominous as now in North America, as management takes over.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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Our universities advocate fragmentation in their course systems.
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Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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Illusion is needed to disguise the emptiness within.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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Our settlement of land is without regard to the best use of land.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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We are yet to have a conscience at all about the exploitation of human cultures.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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No amount of thought can ever reveal what comes unexpectedly.
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