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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Modernism
Constraints
Released
Gone
Freedom
Artist
Sense
Everything
Euphoric

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Materialism has never been so ominous as now in North America, as management takes over.
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Western history has been a history of deed done, actions performed and results achieved.
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We are yet to have a conscience at all about the exploitation of human cultures.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
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Rationalism is the enemy of art, though necessary as a basis for architecture.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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Illusion is needed to disguise the emptiness within.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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