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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Men
Credit
Design
Artist
Action
May
Frequent
Self
Designs
Take
Justification
Made
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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We are yet to have a conscience at all about the exploitation of human cultures.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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Our settlement of land is without regard to the best use of land.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.
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Illusion is needed to disguise the emptiness within.
Arthur Erickson