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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Around
Cultures
Become
Model
Change
Models
Great
Begin
World
Stand
Though
Inveterate
Culture
Disastrous
Artist
Materialism

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There is a single thread of attitude, a single direction of flow, that joins our present time to it's early burgeoning in Mediterranean civilization...
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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Rationalism is the enemy of art, though necessary as a basis for architecture.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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Illusion is needed to disguise the emptiness within.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.
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