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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Change
Models
Great
Begin
World
Stand
Though
Inveterate
Culture
Disastrous
Artist
Materialism
Around
Cultures
Become
Model

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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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Materialism has never been so ominous as now in North America, as management takes over.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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Western history has been a history of deed done, actions performed and results achieved.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
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