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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Left
Initial
Feelings
Initials
May
Delusion
Entertainment
Meaning
Bits
Amuse
Feeling
Desolation
Dark
Devoid

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Western history has been a history of deed done, actions performed and results achieved.
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Illusion is needed to disguise the emptiness within.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.
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Our settlement of land is without regard to the best use of land.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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Our universities advocate fragmentation in their course systems.
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We are yet to have a conscience at all about the exploitation of human cultures.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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Rationalism is the enemy of art, though necessary as a basis for architecture.
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No amount of thought can ever reveal what comes unexpectedly.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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