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I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.

Art Spiegelman

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Art Spiegelman
Age: 76
Born: 1948
Born: February 15
Cartoonist
Comics Artist
Drawer
Editor
Illustrator
Printmaker
Writer
Sthlm
Itzhak Avraham ben Zeev Spiegelman
Real
Nostalgic
Thing
Substantial
Believe
Loves
Always
Remain
Like
Books
Interest
Wistful
Someone
Vinyl
Book
Collectors

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I became a degenerate artist. My parents were shaped by their own experiences, and artists weren't so useful in the death camps.
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In reality, childhood is deep and rich. It's vital, mysterious, and profound. I remember my OWN childhood vividly I knew terrible things, but I knew I mustn't let the adults *know* I knew... it would scare them.
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One way of understanding a graphic novel is that it's an ambitious comic and one way or another my comics have had ambitions. I have no problem with escapism. When I get my depressions all I want to do is escape reality.
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I know this is insane, but i somehow wish i had been in auschwitz with my parents so i could really know what they lived through! I guess it's some kind of guilt about having had an easier life than they did.
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I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.
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Comics can be pernicious, fascist propaganda or anti-authoritarian. The ones that shaped me were particularly anti-authoritarian.
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There's a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It's not just an exorcism.
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Sometimes I don't feel like a functioning adult
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Style is a capitalist invention. It's a trademark. It's very useful in the world of commerce to have a good trademark, but it wasn't my first concern. I got restless
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No matter what I accomplish, it doesn't seem like much compared to surviving Auschwitz.
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When a technology is replaced by another technology, the previous technology either becomes art or it dies.
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I'm supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.
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With any work worth its salt, you have to trust the author enough to take its measure. And if you apply too many preconceptions, you are not taking its measure.
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I always had more allergies toward the superhero comics than the others. I thought those were aimed more toward the people who would beat me up.
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Samuel Beckett once said, Every word is like an unnecessary stain on silence and nothingness. ...On the other hand, he SAID it.
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Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
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It's not an accident that, while bookstores are all in a tizzy, one of the more lively and alive sections is the so-called graphic novel section, because those are harder to replace.
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he technology that threatens to kill off books as we know them - the physical book, a new phrase in our language - is also making the physical book capable of being more beautiful than books have been since the middle ages.
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Some of the reviewers wanted less. Some wanted lots more. Some wanted lots more of something else. But these strips are exactly what they are.
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To die, it's easy. But you have to struggle for life.
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