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I always had more allergies toward the superhero comics than the others. I thought those were aimed more toward the people who would beat me up.

Art Spiegelman

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Art Spiegelman
Age: 76
Born: 1948
Born: February 15
Cartoonist
Comics Artist
Drawer
Editor
Illustrator
Printmaker
Writer
Sthlm
Itzhak Avraham ben Zeev Spiegelman
Toward
Others
Thought
Allergies
Always
Aimed
Would
Superhero
People
Comics
Beat
Beats

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There's a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It's not just an exorcism.
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Comics seem to be cooking these days. It's like being a rock star.
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With any work worth its salt, you have to trust the author enough to take its measure. And if you apply too many preconceptions, you are not taking its measure.
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he technology that threatens to kill off books as we know them - the physical book, a new phrase in our language - is also making the physical book capable of being more beautiful than books have been since the middle ages.
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I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.
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Style is a capitalist invention. It's a trademark. It's very useful in the world of commerce to have a good trademark, but it wasn't my first concern. I got restless
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One way of understanding a graphic novel is that it's an ambitious comic and one way or another my comics have had ambitions. I have no problem with escapism. When I get my depressions all I want to do is escape reality.
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A manifesto, a diary, a crumpled suicide note, and a still relevant love letter.
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What's called art now probably has some legitimate things happening in it, but I've become more and more distrustful of a lot of it because it seems like an extension of the fashion trade and the stock market.
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Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
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If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.
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In 1908, you could easily earn $20 to $200 as a cartoonist. What's amazing is that it's still true!
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The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, Look at all the cool stuff you can have in a real book and how different it is. The differences are manifold.
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Instead of yelling at a TV set, I get to talk.
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No matter what I accomplish, it doesn't seem like much compared to surviving Auschwitz.
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When a technology is replaced by another technology, the previous technology either becomes art or it dies.
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To die, it's easy. But you have to struggle for life.
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