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I know this is insane, but i somehow wish i had been in auschwitz with my parents so i could really know what they lived through! I guess it's some kind of guilt about having had an easier life than they did.

Art Spiegelman

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Art Spiegelman
Age: 76
Born: 1948
Born: February 15
Cartoonist
Comics Artist
Drawer
Editor
Illustrator
Printmaker
Writer
Sthlm
Itzhak Avraham ben Zeev Spiegelman
Parents
Easier
Parent
Auschwitz
Wish
Insane
Kind
Guilt
Really
Somehow
Life
Guess
Lived

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I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.
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A manifesto, a diary, a crumpled suicide note, and a still relevant love letter.
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If you're going to visit and re-visit a book, it has more reason to be a real book, because of that ability to concentrate and that relationship that you build up with it, as opposed to the relationship that you build up with your screen, rewards replacement.
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Comics seem to be cooking these days. It's like being a rock star.
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I became a degenerate artist. My parents were shaped by their own experiences, and artists weren't so useful in the death camps.
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It's not an accident that, while bookstores are all in a tizzy, one of the more lively and alive sections is the so-called graphic novel section, because those are harder to replace.
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In 1908, you could easily earn $20 to $200 as a cartoonist. What's amazing is that it's still true!
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With any work worth its salt, you have to trust the author enough to take its measure. And if you apply too many preconceptions, you are not taking its measure.
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Sometimes I don't feel like a functioning adult
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When a technology is replaced by another technology, the previous technology either becomes art or it dies.
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Samuel Beckett once said, Every word is like an unnecessary stain on silence and nothingness. ...On the other hand, he SAID it.
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Instead of yelling at a TV set, I get to talk.
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The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, Look at all the cool stuff you can have in a real book and how different it is. The differences are manifold.
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Some of the reviewers wanted less. Some wanted lots more. Some wanted lots more of something else. But these strips are exactly what they are.
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I'm supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.
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Style is a capitalist invention. It's a trademark. It's very useful in the world of commerce to have a good trademark, but it wasn't my first concern. I got restless
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he technology that threatens to kill off books as we know them - the physical book, a new phrase in our language - is also making the physical book capable of being more beautiful than books have been since the middle ages.
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No matter what I accomplish, it doesn't seem like much compared to surviving Auschwitz.
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Comics can be pernicious, fascist propaganda or anti-authoritarian. The ones that shaped me were particularly anti-authoritarian.
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There's a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It's not just an exorcism.
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