I love art. I used to have a painting of Mikhail Gorbachev that was given to my family by Gorbachev.

I never grew up reading or fantasizing about fairy tales. I was always too busy, like, outside being a kid.

I grew up in the Cayman Islands. I didn't play video games or watch TV. I would basically come home from school, throw down my backpack, grab my machete, and go hike and chop down trees to make a fort.

My great-great-grandfather Julius founded the Communist Party in New York.

My wife comes from a foodie family so I've been indoctrinated into that. I had sweetbreads the other night, and I have to say, not my favorite thing in the world You're eating a gland.

I feel fortunate. I've really gotten to work with amazing talented people, and to learn from them, which is why I'm doing this. If I can work with the best director I'm going to do it.

I try to do romantic gestures all the time.

I like reading. I just hate school.

I try to do romantic gestures all the time. For instance, this morning I work up early -- earlier than I would have normally liked to have woken up. Elizabeth [Chambers] was still asleep, so I just laid in bed and cuddled with her for an hour. I just ran my hands over her body. It was nice.

My entire life had been this long, pressured conversation about the family I represented. 'When you walk out the door, you represent us. You have to dress well and make sure your hair is combed.

As a fluke, my great-grandfather hit one of the largest oil reserves in California.

I think a primal role of a man in a relationship is to protect his woman.

Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.

It's something that I think I'm going to have to fight against for most of my career, for people to take me seriously as an actor as opposed to a good-looking guy. It's not what I want to be known as.

You have to emote much more to get what you're trying to get across to come through a quarter inch of latex that's superglued to your face.

I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.

Not sure of my place in the world (still up for debate) and not sure what I wanted to do with my life (not really up for debate).

There were two auditions for The Social Network, one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, Okay, how do I hold the paper without my hands making it shake?