We live in the age of the refugee, the age of the exile.

I'm the most communal person that exists and a very solitary person. So I think writing is a form of getting to the community and being alone, and it's the best of both possible worlds.

There's a tendency, especially among revolutionaries, to only show the good side of yourself and then when you come to power, the bad side comes out.

Torture presupposes, it requires, it craves the abrogation of our capacity to imagine others suffering, dehumanizing them so much that their pain is not our pain. It demands this of the torturer, placing the victim outside and beyond any form of compassion or empathy, but also demands of everyone else the same distancing, the same numbness.

Most writers who leave their country physically have already left it mentally and emotionally.

Life may unfold chronologically for the body and for bureaucracies that keep track of such things as births, marriages, deaths, visas, tax returns, expulsions, and identity cards, but memory does not play this game in quite the same way, always manages to confound the desire for tidiness.

I don't believe in God, but I believe in angels.

You want to free the world, free humanity, from oppression? Look inside, look sideways, look at the hidden violence of language. Never forget that language is where the other, parallel violence, the cruelty exercised on the body, originates.

I think to be in exile is a curse, and you need to turn it into a blessing. Youve been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, I will not be silenced.

Mining created Chile. The story of men who go down into the mountain and chip away at minerals in the darkness and then suffer an accident that leaves them at the mercy of that darkness is part of the DNA of Chile, an integral part of the country's history.