I don't think there's anything more scary than being forced into doing stand-up comedy.

When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.

I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.

Life is hard enough, so when you can get any joy out of it, whether it's something you do on a day-to-day basis, or the people in your life, or going to see a funny movie, there's just nothing better. That's what life is about.

As an actor, when you're doing comedies, you're around fantastic, funny people and you hopefully have a really good time doing it.

With acting, I started as a kid and it was my safe space and the place where I felt the most free to be all of myself. What gets explored in our show is where that instinct starts and where it meets with career, and how that can change your path a bit.

The only thing that I'm not willing to do is really stupid, horribly written sitcoms. It can be tempting during pilot season time, but I realized this a while ago when I almost signed my life away to a stupid pilot.

Twitter's a lot of work! That's the first thing I would say. There's so much pressure to be funny.

Most people, no matter what they do, they don't think they're a bad person. The place where their actions are coming from is a complicated place and a whole personal history. I definitely think that it helped me to look at the world a little less judgmentally.

Regardless of what kind of film, the number one rule of comedy is to never take yourself too seriously and then the next rule is you can't have any self-consciousness, otherwise it kills the laugh, and that will never change.

As I've grown as a person and gotten to know myself more - the question of how someone becomes who they become has gotten really interesting to me.

There's a certain truism that you can't be self-conscious in comedy. If I'm in it and if there's a scene that has a great set-up, I will go as far as somebody will let me.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

There's pressure to come up with something genius every time. I feel like I keep letting myself down with my Twitter posts. I have to start keeping a journal of rough drafts of prophetic ideas about the world.

What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.

I was a precocious only child, and then I went through a fat, awkward stage for several years, so I learned to fall back on my humor and personality when I was growing up. It's how you survive, so I think it was more of a natural progression for me, developing into comedy.