Thai society rarely attempts to control literature in the same way that it vigilantly polices visual art. It's ironic because people in this society are more aware of literature than they are of art.

In shows where the audience wants to try to understand the work, the work is placed in a space of possibility where it becomes a subject of inquiry rather than being subject to conclusive interpretations. This is the gift I receive when I go abroad.

I'm still useful in my capacity as an arts educator and caretaker for the stray dogs.

I eventually shifted to video. Video opened up new conditions, or freed me from old conditions.

Women in Thai society have been placed in the space of the home. It is possible that women have assuredly taken up that place without thinking too critically about it.

When I began making art, I just thought I liked it. As a woman who was placed in spaces with various conditions, conventions, and restrictions on self-expression, turning to art - whether visual art, writing novels, or writing articles - was to gain freedom from the space around me.

It is interesting to ask why people who come to view art suddenly posture themselves as full of righteousness. It's as if my artwork suddenly lends a higher moral ground to everyone else in the Thai art world.

I extol life so much that I cannot make art.