Quote

When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Brain
Order
Work
Physiology
Changing
Rules
Deal
Deals

More quotes by Aphex Twin

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If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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I got a feeling I had loads when I was in primary school, 'cause I had red hair you know, like Duracell.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
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That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
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You change all the time. Everything changes you.
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There's a lot of melancholy in my tracks.
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Can't really despise people you don't know.
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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.
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