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A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Change
Composers
World
Temperament
Composer
Mission
Missions
Definitely
Equal
Getting

More quotes by Aphex Twin

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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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Well, I just bought a massive bank and I've moved into it on my own.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.
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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.
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If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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I'm a really good hacker, but I'm not a sensible person.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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You change all the time. Everything changes you.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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