Quote

It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Right
Frequency
Real
Tune
Something
Slightly
Always
Tunes
Like
Sounds
Core
Sound
Ends
Frequencies

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I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
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I'm a really good hacker, but I'm not a sensible person.
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Can't really despise people you don't know.
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You change all the time. Everything changes you.
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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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