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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Person
Erratic
Time
Switching
Turning
Changing
Track
Quite
Actually
Persons
Setups

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It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
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That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
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My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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Well, I just bought a massive bank and I've moved into it on my own.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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I got a feeling I had loads when I was in primary school, 'cause I had red hair you know, like Duracell.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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