Quote

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Sounds
Anything
Thing
Track
Made
Using
Setup
Years
Takes
Setups
Sound
Logical
Three
Studio
Another
Studios
Change

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The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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Well, I just bought a massive bank and I've moved into it on my own.
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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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You change all the time. Everything changes you.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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Can't really despise people you don't know.
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There's a lot of melancholy in my tracks.
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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