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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
Aphex Twin
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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Another
Studio
Change
Studios
Anything
Sounds
Thing
Track
Made
Using
Years
Takes
Setup
Sound
Setups
Three
Logical
More quotes by Aphex Twin
It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
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There's a lot of melancholy in my tracks.
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When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.
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If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.
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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
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I'm a really good hacker, but I'm not a sensible person.
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It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.
Aphex Twin
The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
Aphex Twin
I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
Aphex Twin
You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
Aphex Twin
it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
Aphex Twin
I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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Well, I just bought a massive bank and I've moved into it on my own.
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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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