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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
Aphex Twin
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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Write
Music
Look
Looks
Tidy
Writing
Commercial
Think
Studios
Thinking
Nice
Actually
More quotes by Aphex Twin
I got a feeling I had loads when I was in primary school, 'cause I had red hair you know, like Duracell.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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You change all the time. Everything changes you.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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Well, I just bought a massive bank and I've moved into it on my own.
Aphex Twin
The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
Aphex Twin
I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'
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A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.
Aphex Twin
It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
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If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.
Aphex Twin
Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
Aphex Twin