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My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
Aphex Twin
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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Really
Studios
Things
Decide
Never
Lived
System
Sort
Year
Filing
Whether
Crap
Years
Studio
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it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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I got a feeling I had loads when I was in primary school, 'cause I had red hair you know, like Duracell.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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When I look at commercial studios, I think, Oh, they're all so nice and tidy, but it's because they don't actually write music in them.
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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.
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It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.
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I'm a really good hacker, but I'm not a sensible person.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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Can't really despise people you don't know.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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