Quote

It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Really
Effects
Emotional
Solos
Quite
Solo
Brain
Programming
Rather
Similar
Use
Clever
Important
Effect
Thing
Guitar

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I'm a really good hacker, but I'm not a sensible person.
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It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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I got a feeling I had loads when I was in primary school, 'cause I had red hair you know, like Duracell.
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My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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You change all the time. Everything changes you.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.
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You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
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Can't really despise people you don't know.
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There's a lot of melancholy in my tracks.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.
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