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I'm a really good hacker, but I'm not a sensible person.

Aphex Twin

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Aphex Twin
Age: 53
Born: 1971
Born: August 18
Club Dj
Composer
Disc Jockey
Electronic Musician
Music Producer
Musician
Limerick City
Richard David James
Richard D. James
The Dice Man
Soit-P.P.
Blue Calx
Q-Chastic
Phonic Boy on Dope
PBoD
GAK
Polygon Window
Bradley Strider
Caustic Window
AFX
Power-Pill
Hacker
Hackers
Sensible
Persons
Person
Really
Good

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In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.
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Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.
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You change all the time. Everything changes you.
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If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.
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If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, huh.
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My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.
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The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
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it's more interesting for me to stick things out anonymously. You get more of an honest reaction to what you've done.
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If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.
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I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.
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Can't really despise people you don't know.
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Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.
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The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.
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I'm just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
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When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.
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In Britain, it's good for me to be anonymous, because they just think it's a nobody. Who is this guy?
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The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.
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A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.
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