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When you experience the emotion of sadness, there will be changes in facial expression, and your body will be closed in, withdrawn. There are also changes in your heart, your guts: they slow down. And there are hormonal changes.

Antonio Damasio

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Antonio Damasio
Age: 80
Born: 1944
Born: February 25
Academic
Neurologist
Non-Fiction Writer
Professor
Psychologist
University Teacher
Lisboa
Antonio Damasio
António Rosa Damásio
Antonio Rosa Damasio
Body
Closed
Heart
Slow
Sadness
Changes
Expression
Hormonal
Emotion
Withdrawn
Experience
Facial
Also
Guts

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Scott Fitzgerald said famously that he who invented consciousness would have a lot to be blamed for. But he also forgot that without consciousness, he would have no access to true happiness or even the possibility of transcendence.
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The autobiographical self is built on the basis of past memories and memories of the plans that we have made it's the lived past and the anticipated future.
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The problem that we, as living organisms, face - and not we only, humans, but any living organism faces - is the management of life.
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In 'Self Comes to Mind' I pay a lot of attention to simple creatures without brains or minds, because those 'cartooned abstractions of who we are' operate on precisely the same principles that we do.
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To me, body and mind are different aspects of specific biological processes.
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We do not merely perceive objects and hold thoughts in our minds: all our perceptions and thought processes are felt. All have a distinctive component that announces an unequivocal link between images and the existence of life in our organism.
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A self that is very robust, that has many, many levels of organization, from simple to complex, and that functions as a sort of witness to what is going on in our organisms.
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Some of us, for better or worse, develop very stable, consistent, and largely predictable machineries of self. But in others, the self machinery is more flexible and more open to unexpected turns.
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Consciousness permits us to develop the instruments of culture - morality and justice, religion, art, economics and politics, science and technology. Those instruments allow us some measure of freedom in the confrontation with nature.
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You're not the same after, say, an incredible love affair that went very well or a love affair that went bad. Or something that happens to your health, or something that happened to somebody else's health, that is close to you. Or something that happens professionally.
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I think it's possible to a certain extent to make those comparisons. The problem is the detail with which the comparison can be made. Of course, the first place to make such a comparison would be to ask for a testimony from different people and have people report on what they experience.
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We are not passive exhibitors of visual or auditory or tactile images. We have selves. We have a Me that is automatically present in our minds right now.
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There are things in our lives that take up an enormous importance and that become very dominant effects in our biography. And that comes out of a variety of reasons, but fundamentally comes out of how that particular experience connects with your effective systems of response.
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We may express them [emotions] physically slightly differently, and it's of course graded depending on the circumstance, but the essence of the process is going to be the same, unless one of us is not quite well put together and is missing something, otherwise it's going to be the same.
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There is a sequence of events in our lives and so there's a temporal aspect to our experience that brings by itself, sense into the story. In other words, you were not walking before you were born and you were not doing X and Y before you did something else first. So there's a sequencing of events that imposes a certain structure to the story.
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I continue to be fascinated by the fact that feelings are not just the shady side of reason but that they help us to reach decisions as well.
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We all woke up this morning and we had with it the amazing return of our conscious mind. We recovered minds with a complete sense of self and a complete sense of our own existence, yet we hardly ever pause to consider this wonder.
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Something may have happened before, and yet this thing that happened just after may be so important that you don't even know about the thing that happened before and when you tell your story to yourself, or to someone else, it's going to be told not on the basis necessarily of the time course, but rather on the basis of how it was valued by you.
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Emotion operates, very often when you think about how you react to the world, you know, something is happening to you, you're simply going along and you're being confronted by different things, not necessarily very important or significance for your ultimate life, but you are constantly reacting to the world.
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How can you have this reference point, this stability, that is required to maintain the continuity of selves day after day?
Antonio Damasio