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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.

Antonin Artaud

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Antonin Artaud
Age: 51 †
Born: 1896
Born: September 4
Died: 1948
Died: March 4
Actor
Author
Comedy Writer
Director
Essayist
Film Actor
Film Critic
Film Director
Painter
Playwright
Poet
Prosaist
Screenwriter
Marseille
France
Antoine Marie Joseph Artaud
Feet
Virtue
Putrefaction
Hands
Reunite
Heart
Knots
Men
Belly
Life
Stomach
Meat
Whose

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The actor is merely a crude empiricist, a practitioner guided by vague instinct.
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I am stigmatized by a living death in which real death holds no terrors for me.
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All true language is incomprehensible, like the chatter of a beggar's teeth.
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We must believe in a sense of life renewed by the theater, a sense of life in which man fearlessly makes himself master of what does not yet exist, and brings it into being. And everything that has not been born can still be brought to life if we are not satisfied to remain mere recording organisms.
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I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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I cannot conceive any work of art as having a separate existence from life itself
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A tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
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The actor is an athlete of the heart.
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Those who live, live off the dead.
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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
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No one has ever written, painted, sculpted, modeled, built, or invented except literally to get out of hell.
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[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.
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You are quite unnecessary, young man!
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
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I know each conversation with a psychiatrist in the morning made me want to hang myself because I knew I could not strangle him.
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Tragedy on the stage is no longer enough for me, I shall bring it into my own life.
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And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
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When we speak the word 'life,' it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach.
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