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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.

Antonin Artaud

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Antonin Artaud
Age: 51 †
Born: 1896
Born: September 4
Died: 1948
Died: March 4
Actor
Author
Comedy Writer
Director
Essayist
Film Actor
Film Critic
Film Director
Painter
Playwright
Poet
Prosaist
Screenwriter
Marseille
France
Antoine Marie Joseph Artaud
Heart
Knots
Men
Belly
Life
Stomach
Meat
Whose
Feet
Virtue
Putrefaction
Hands
Reunite

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Admittedly or not, conscious or unconscious, the poetic state, a transcendent experience of life, is what the public is fundamentally seeking through love, crime, drugs, war, or insurrection.
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And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
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Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
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You are quite unnecessary, young man!
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It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
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It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
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We must wash literature off ourselves. We want to be men above all, to be human.
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A tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
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We must believe in a sense of life renewed by the theater, a sense of life in which man fearlessly makes himself master of what does not yet exist, and brings it into being. And everything that has not been born can still be brought to life if we are not satisfied to remain mere recording organisms.
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We do not die because we have to die we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
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I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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If I commit suicide, it will not be to destroy myself but to put myself back together again.
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The actor is an athlete of the heart.
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The actor is merely a crude empiricist, a practitioner guided by vague instinct.
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Those who live, live off the dead.
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[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.
Antonin Artaud