Quote

I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.

Antonin Artaud

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Antonin Artaud
Age: 51 †
Born: 1896
Born: September 4
Died: 1948
Died: March 4
Actor
Author
Comedy Writer
Director
Essayist
Film Actor
Film Critic
Film Director
Painter
Playwright
Poet
Prosaist
Screenwriter
Marseille
France
Antoine Marie Joseph Artaud
Speech
Adding
Possibility
Restore
Magic
Spoken
Language
Possibilities
Another
Mysterious
Power
Essential
Trying
Essentials
Forgotten
Spellbinding

More quotes by Antonin Artaud

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Leave the caves of being. Come. The mind breathes outside the mind. The time has come to abandon your lodgings. Surrender to the Universal Thought. The Marvelous is at the root of the mind.
Antonin Artaud
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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
Antonin Artaud
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All true language is incomprehensible, like the chatter of a beggar's teeth.
Antonin Artaud
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And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
Antonin Artaud
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You are quite unnecessary, young man!
Antonin Artaud
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I see in the act of throwing the dice and of risking the affirmation of some intuitively felt truth, however uncertain, my whole reason for living.
Antonin Artaud
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I abandon myself to the fever of dreams, in search for new laws.
Antonin Artaud
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Tragedy on the stage is no longer enough for me, I shall bring it into my own life.
Antonin Artaud
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[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.
Antonin Artaud
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Before our eyes is fought a battle of symbols... for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
Antonin Artaud
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We do not die because we have to die we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
Antonin Artaud
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
Antonin Artaud
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I prefer the people who eat off the bare earth the delirium from which they were born.
Antonin Artaud
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I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
Antonin Artaud
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We must wash literature off ourselves. We want to be men above all, to be human.
Antonin Artaud
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If I commit suicide, it will not be to destroy myself but to put myself back together again.
Antonin Artaud
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
Antonin Artaud
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
Antonin Artaud
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It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
Antonin Artaud
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A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
Antonin Artaud