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I know each conversation with a psychiatrist in the morning made me want to hang myself because I knew I could not strangle him.

Antonin Artaud

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Antonin Artaud
Age: 51 †
Born: 1896
Born: September 4
Died: 1948
Died: March 4
Actor
Author
Comedy Writer
Director
Essayist
Film Actor
Film Critic
Film Director
Painter
Playwright
Poet
Prosaist
Screenwriter
Marseille
France
Antoine Marie Joseph Artaud
Morning
Science
Made
Strangle
Psychiatrist
Hang
Suicide
Conversation
Knew

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We have the right to lie, but not about the heart of the matter.
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All true language is incomprehensible, like the chatter of a beggar's teeth.
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[Nietzsche's] definition of cruelty informs Artaud's own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience ... Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis.
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We must believe in a sense of life renewed by the theater, a sense of life in which man fearlessly makes himself master of what does not yet exist, and brings it into being. And everything that has not been born can still be brought to life if we are not satisfied to remain mere recording organisms.
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And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
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If I commit suicide, it will not be to destroy myself but to put myself back together again.
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I abandon myself to the fever of dreams, in search for new laws.
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I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
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So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses.
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Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
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If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
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I am stigmatized by a living death in which real death holds no terrors for me.
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The truth of life lies in the impulsiveness of matter. The mind of man has been poisoned by concepts. Do not ask him to be content, ask him only to be calm, to believe that he has found his place. But only the madman is really calm.
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I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
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The actor is an athlete of the heart.
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These terrifying forms which advance on me, I feel that the despair they bring is alive. It slips into this nucleus of life beyond which the paths of eternity extend. It is truly an eternal separation. They slip their knives into this center where I feel myself a man, they sever those vital ties which bind me to the dream of my lucid reality.
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Those who live, live off the dead.
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Not once more will/I be found with beings/who swallowed the rail of life//And one day I found myself with beings/who swallowed the nail of life/-as soon as I lost my matrix mamma,//and the being twisted under him,/and god poured me back to her/(the motherfucker).
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It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
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But how is one to make a scientist understand that there is something unalterably deranged about differential calculus, quantum theory, or the obscene and so inanely liturgical ordeals of the precession of the equinoxes.
Antonin Artaud