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Tragedy on the stage is no longer enough for me, I shall bring it into my own life.

Antonin Artaud

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Antonin Artaud
Age: 51 †
Born: 1896
Born: September 4
Died: 1948
Died: March 4
Actor
Author
Comedy Writer
Director
Essayist
Film Actor
Film Critic
Film Director
Painter
Playwright
Poet
Prosaist
Screenwriter
Marseille
France
Antoine Marie Joseph Artaud
Life
Tragedy
Longer
Bring
Stage
Shall
Enough

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I would like to write a Book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality.
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All true language is incomprehensible, like the chatter of a beggar's teeth.
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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
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If I commit suicide, it will not be to destroy myself but to put myself back together again.
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Artaud sought to remove aesthetic distance, bringing the audience into direct contact with the dangers of life. By turning theatre into a place where the spectator is exposed rather than protected, Artaud was committing an act of cruelty upon them.
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I prefer the people who eat off the bare earth the delirium from which they were born.
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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
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A tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
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I am stigmatized by a living death in which real death holds no terrors for me.
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Squander your riches far from this unfeeling body to which no season, either spiritual or sensual, makes any difference.
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There are those who go to the theatre as they would go to a brothel.
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And war is wonderful, isn't it? For it's war, isn't it, that the Americans have been preparing for and are preparing for this way step by step. In order to defend this senseless manufacture from all competition that could not fail to arise on all sides.
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It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh's stay upon earth, maintain the same gravitation.
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We do not die because we have to die we die because one day, and not so long ago, our consciousness was forced to deem it necessary.
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Admittedly or not, conscious or unconscious, the poetic state, a transcendent experience of life, is what the public is fundamentally seeking through love, crime, drugs, war, or insurrection.
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We must wash literature off ourselves. We want to be men above all, to be human.
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I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
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Hell is of this world and there are men who are unhappy escapees from hell, escapees destined ETERNALLY to reenact their escape.
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[defines a madman as] a man who preferred to become mad,in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor.
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We have the right to lie, but not about the heart of the matter.
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