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Maybe silence is something we're uncomfortable with as a culture, I don't know.

Anton Yelchin

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Anton Yelchin
Age: 27 †
Born: 1989
Born: March 11
Died: 2016
Died: June 19
Actor
Film Actor
Television Actor
Voice Actor
St. Petersburg
Anton Viktorovich Yelchin
Maybe
Culture
Something
Uncomfortable
Silence

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One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.
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I think you can always find interesting, complex and fascinating characters to play in different kinds of movies. It's in your hands.
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The ability to have a choice in what you do is a privilege.
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Most of the girls I know are from my school. I've gone to school with the same people since fourth grade, so I can't wait to go to a place where I don't know anybody.
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Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.)
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I'm not passive aggressive. If something bothers me, I think about it, then I act on it. I express it.
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Communism destroyed so many generations. I look at my grandparents and their generation, and it's as if their lives were taken from them. It's really sad and frightening that something like that could have happened. But I don't really think of myself as Russian anymore. I didn't even live there for that long.
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Russia itself is an extremely complex country, and sometimes I feel like all of that comes back to haunt me. I can see why so many Russian writers were so tortured.
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I've been lucky to play characters that are really broad.
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I don't really like watching my work. I don't mind watching it when I was a little kid because I forgive myself a lot, since I was a little kid.
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I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been tremendously influenced by noirish cinema whether that's Von Sternberg or Scorsese in the 70s or Lynch, etc.
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Teenagers are like atoms when they're moving at hundreds of miles an hour and bouncing off each other. Everybody's got such a crazy hormonal drive and reacting to each other differently and getting upset over little things. High school puts all these potential explosions in one place.
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The music that really moves me is music that's written by people where there isn't a lot of money and they're really singing with just their voice and a guitar about their feelings and about their life. Their poetry is relatively simple, in the sense that it's about their soul in jeopardy.
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There are two parts of me. There's the really critical, film-nerd part of me that loves that, and then there's the part of me where I'm like, I really didn't like that movie, but I want to work with that director because he loves actors.
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I want things to be characters and not me. Why would I want to play me?
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I love academics, theory and all that. I love and admire that and try to do as much reading as I can.
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I'm sure there are directors who don't like to work with actors and don't know how to be sensitive to actors.
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I tried ice-skating and wasn't very good at it.
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You don't share the things you're forced to share [on a movie set].
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It would be nice to live off the land and fix cars.
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