Quote

To describe drunkenness for the colorful vocabulary is rather cynical. There is nothing easier than to capitalize on drunkards.

Anton Chekhov

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Anton Chekhov
Age: 44 †
Born: 1860
Born: January 1
Died: 1904
Died: January 1
Author
Dramaturge
Journalist
Novelist
Physician
Playwright
Prosaist
Satirist
Writer
Tahanroh
Anton Pavlovich Chekhov
Antón Pávlovič Čéhov
Antón Pávlovich Chékhov
Chekhov
Literature
Drunkards
Rather
Drunkenness
Nothing
Colorful
Vocabulary
Cynical
Describe
Drinking
Easier
Capitalize

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In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.
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It's easier to ask for money from the poor than from the wealthy.
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When you're thirsty and it seems that you could drink the entire ocean that's faith when you start to drink and finish only a glass or two that's science.
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Useless pursuits and conversations always about the same things absorb the better part of one's time, the better part of one's strength, and in the end there is left a life grovelling and curtailed, worthless and trivial, and there is no escaping or getting away from it—just as though one were in a madhouse or prison.
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Only one who loves can remember so well.
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These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.
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If you are afraid of loneliness, do not marry.
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[Six principles that make for a good story:] 1. Absence of lengthy verbiage of a political-social-economic nature 2. total objectivity 3. truthful descriptions of persons and objects 4. extreme brevity 5. audacity and originality: flee the stereotype 6. compassion.
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You ask me what life is. That's like asking what a carrot is. A carrot is a carrot, and there's nothing more to know.
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Each of us is full of too many wheels, screws and valves to permit us to judge one another on a first impression or by two or three external signs.
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When a person is born, he can embark on only one of three roads of life: if you go right, the wolves will eat you if you go left, you’ll eat the wolves if you go straight, you’ll eat yourself.
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Every coming year is as bad as the previous one, the only difference being that in most cases it is even worse.
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Oh, I have now a mania for shortness. Whatever I read - my own or other people's works - it all seems to me not short enough.
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Do you know, Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, for how many years I shall be read? Seven. Why seven? Bunin asked. Well, Chekhov answered, seven and a half then.
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[In] death at least there would be one profit it would no longer be necessary to eat, to drink, to pay taxes, or to [offend] others and as a man lies in his grave not one year, but hundreds and thousands of years, the profit was enormous. The life of man was, in short, a loss, and only his death a profit.
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Women writers should write a lot if they want to write. Take the English women, for example. What amazing workers.
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Fine. Since the tea is not forthcoming, let's have a philosophical conversation.
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People's destinies are so different. Some people drag along, unnoticed and boring—they're all alike, and they're all unhappy. Then there are others, like for instance you—you're one in a million. You're happy—
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It always seems to the brothers and the father that their brother or son didn't marry the right person.
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Tsars and slaves, the intelligent and the obtuse, publicans and pharisees all have an identical legal and moral right to honor the memory of the deceased as they see fit, without regard for anyone else's opinion and without the fear of hindering one another.
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