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In movies you get to do that. Sometimes with the vigilante justice movie he has to also tangle with police, which are traditional or security people. Is there going to be any of that in this?

Antoine Fuqua

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Antoine Fuqua
Age: 58
Born: 1966
Born: January 19
Film Director
Film Producer
Pittsburg
Pennsylvania
Sometimes
Tangle
Going
Traditional
People
Police
Movies
Security
Movie
Justice
Also
Vigilante

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Movies are so hard to get made - every step of the way of making a movie has obstacles. If you don't have that passion, if you don't have that vision, if you don't believe it's a piece of art worth making, then you probably won't get it made - you won't have a chance for it to be something special.
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If you see someone lying out knives and forks consistently, but then one day those knives and forks become weapons you're not sure if he does that as a warrior, that's just his thing.
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We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.
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Cinema Paradiso, because it reminds me of why I make movies, the magic of movies, the romance of movies.
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What I learned is, don't forget who you are, because that's what's going to make you a filmmaker.
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I'd seen too many shrines in South Central and thought it was worth asking where the first bullet came from that started all this violence.
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I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are. You know if you think about Scorsese back in the day when he was making Taxi Driver, or Coppola or Frankenheimer, Sidney Lumet, they're making films where you witness violence in a real way.
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I would be lying to you if I said I wouldn't love for it [Equalizer] to become a franchise, I would love for it to become a hit and all that great stuff. Who knows-you just make the best movie you can make, you know it's like, eat the whole thing, one piece at a time. And then, we'll see what happens, I would love for it to be.
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I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are.
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I became a director just for the love of movies, because of the power of cinema.
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My experience of test screenings is that you don't know what kind of mood people are going to be in, and sometimes the studios accept what Joe Blo says - and this guy could just be a frustrated filmmaker, or not paying attention.
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Even the Westerns that I grew up with, the Sergio Leone's and all that, there was always a sort of anti-hero, a guy reluctant to shame even, to pick up the gun again because he wants to help other people, and he does, he uses his skills for that.
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Sometimes violence in a very real way is much faster and more impactful because it feels real and you're watching it happen and you're watching your star do these things, so it's not like he's doing superhero moves.
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I just think you can't shut your life off to just, you know, one thing. You gotta be open-minded. Explore things. Feed your artist.
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I've become friends with Michael Mann and Oliver Stone I've seen those guys work and that was great to see.
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You could call it that [urban Western], I guess, you could certainly call it that. A lot of these types of films are, really, if you get down to the core most suspense thrillers in this genre, the Western is sort of the birth of it all.
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I like being in real environments. I love being in the place that it's about - these sets and locations are characters in the movies. Can you imagine Breakfast at Tiffany's shot somewhere else? It's classic. Characters are part of storytelling they're just as important as everything else.
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It's part of the film-making business and also part of the creative process - putting all the pieces together to make a movie, so that they all line up. Sometimes it looks like you have a lot of projects lined up, but some of them are in different stages.
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You'll see a consistent, like the tea, the tea bags you saw there-you'll see a consistent-did you see the cafeteria? I mean the diner?
Antoine Fuqua