There are people who do De Niro and Walken impersonations.

They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.

In the years since I worked with John Hughes, there were many years where I literally had hundred of doors slammed in my face because I wasn't that kid anymore, and I wasn't a character actor, and I wasn't a leading man, and I wasn't whatever Hollywood was looking for.

years later, it's all the TV stars with the film deals, whether it's the cast of Friends or That '70s Show now with Ashton and other people doing stuff.

First of all, it was in my contract. I knew I would be directing an episode.

Movies are just ridiculously expensive.

Why are you messing with the fantasy? We know about the reality. Don't ruin the fantasy, OK?

I think my favorite, and Coppola and that whole thing. East coast Italian directors I guess.

You have film actors doing TV, rap stars doing TV, with everyone kind of crossing the line.

You want to do work that is remembered, you want to be a part of something that's remembered.

It's funny, like 15 years ago when I was a kid doing all the John Hughes movies, I remember Bruce Willis was the only guy who was transitioning from television into film.

Chicks cannot hold their smoke, dat's what it is.

I think it's even harder because I think as always, Hollywood is sort of glamour central for the world, and the entire world looks to it for not only entertainment, but the whole idea of the youth factor and youth being sold to our culture via young actors and actresses.