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It wasn't until I was 26 or 25 when I started sending work out to magazines.

Anthony Doerr

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Anthony Doerr
Age: 51
Born: 1973
Born: October 27
Author Of Novels
Journalist
Novelist
Writer
Cleveland
Ohio
Started
Work
Sending
Magazines
Wasn

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So how, children, does the brain, which lives without a spark of light, build for us a world full of light?
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Travel definitely affects me as a writer.
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Don’t you want to be alive before you die?
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You don't say, I'm going to be a writer when I grow up - at least I didn't.
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In our memories the stories of our lives defy chronology, resist transcription: past ambushes present, and future hurries into history.
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Open your eyes and see what you can with them before they close forever.
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To say a person is a happy person or an unhappy person is ridiculous. We are a thousand different kinds of people every hour.
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Radio - and perhaps airplanes, and then of course, the atom bomb - was the preeminent technology of the first half of the 20th century. It was how the Third Reich controlled its citizens, spread lies, and disseminated fear.
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I guess you could say I've been writing all my life.
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Leave home, leave the country, leave the familiar. Only then can routine experience--buying bread, eating vegetables, even saying hello--become new all over again.
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The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we're not careful, pretty soon we're gazing out at our lives as if through a burlap sack.
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I feel like it has gone very fast for me, but I feel like it wasn't instantaneous, at all. I was getting a lot of rejections. I just got very lucky and it happened quickly for me. I don't feel like I'm a prodigy or something.
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WWII is something contemporary readers already know a lot about. If our schools are doing their jobs, they know about the invasion of Normandy, the Hitler Youth, the Holocaust, and at least a few of the horrors of the Eastern Front.
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Time is a slippery thing: lose hold of it once, and its string might sail out of your hands forever.
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I never played inside as a kid - even in the rain I'd go out.
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I always told my dad I'd play professional football.
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My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
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For me, writing historical fiction is all about finding a balance between reading, traveling, looking, imagining, and dreaming.
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It took me about three years to write About Grace. I wasn't teaching two of those years, so I was working eight-hour days, five days a week. And it would include research and reading - it wasn't just a blank page, laying down words.
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I went to Europe three times, I read dozens and dozens of books, I studied thousands of photos. But I always supplemented that research with imagination research might give you detail, but imagination supplies the direction in which to apply all that detail.
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