Quote

We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Yellow
Greenish
Leaves
Aspens
Cool
Aspen
Shadow
Trunks
Mountain
Vibrant
Quiet
Stirring
Wind
Slightly
Light
Mountains

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Notebook. No photographer should be without one!
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A photograph is not an accident - it is a concept.
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In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
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While the photos at the D.M.V. (New York) will still be taken in color, the engraving is done in grayscale, hence the Ansel Adams feel.
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I think photography is being recognized and collected. Its values have certainly gone up and continue to go up.
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The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
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I hope that my work will encourage self expression in others and stimulate the search for beauty and creative excitement in the great world around us.
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I believe the approach of the artist and the approach of the environmentalist are fairly close in that both are, to a rather impressive degree, concerned with the affirmation of life.
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Art is both the taking and giving of beauty, the turning out to the light of the inner folds of the awareness of the spirit.
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Photography is more than a medium for factual communication of ideas. It is a creative art.
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You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
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Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.
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One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
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The negative is the score, and the print the performance.
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We all know the tragedy of the dustbowls, the cruel unforgivable erosions of the soil, the depletion of fish or game, and the shrinking of the noble forests. And we know that such catastrophes shrivel the spirit of the people... The wilderness is pushed back, man is everywhere. Solitude, so vital to the individual man, is almost nowhere.
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I am sure the next step will be the electronic image, and I hope I shall live to see it. I trust that the creative eye will continue to function, whatever technological innovations may develop.
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The sheer ease with which we can produce a superficial image often leads to creative disaster.
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These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
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Art is both the taking and giving of beauty the turning out to the light the inner folds of the awareness of the spirit. It is the recreation on another plane of the realities of the world the tragic and wonderful realities of earth and men, and of all the inter-relations of these.
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