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Wilderness is rapidly becoming one of those aspects of the American dream which is more of the past than of the present. Wilderness is not only a condition of nature, but a state of mind and mood and heart. It cannot be confined to the museum-case status—seen only as a passing diorama from superlative throughways.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Rapidly
Heart
Seen
Condition
Confined
Mind
State
Passing
American
Aspect
Museums
Nature
Case
Status
Cannot
Conditions
Aspects
Superlative
Dream
Becoming
Passings
Superlatives
Past
Cases
Wilderness
Museum
States
Present
Mood

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The quality of place, the reaction to immediate contact with earth and growing things that have a fugal relationship with mountains and sky, is essential to the integrity of our existence on this planet.
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In wisdom gathered over time I have found that every experience is a form of exploration.
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The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
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If you have enough craft, you've done your homework and you're practiced. You can then make the photograph you desire.
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We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion. Many refuse to admit it: I feel a mystery exists. There are certain times, when, as on the whisper of the wind, there comes a clear and quiet realization that there is indeed a presence in the world, a nonhuman entity that is not necessarily inhuman.
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To the vast majority of people a photograph is an image of something within their direct experience: a more-or-less factual reality. It is difficult for them to realize that the photograph can be the source of experience, as well as the reflection of spiritual awareness of the world and of self.
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Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.
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Some photographers take reality... and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.
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I am always surprised when I see several cameras, a gaggle on lenses, filters, meters, et cetera, rattling around in a soft bag with a complement of refuse and dust. Sometimes the professional is the worst offender!
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You don't take a photograph, you make it.
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We who are gathered here may represent a particular delete, not of money and power, but of concern for the earth for the earth's sake.
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Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
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I respect everything in change and the solemn beauty of life and death... and therefore, while man is amidst the immense beauty of objective bodies, he must possess the capacity of self-perfection and must observe and represent his world with full confidence.
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A true photograph need not be explained, nor can it be contained in words.
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Impression is not enough. Design, style, technique - these, too, are not enough. Art must reach further than impression or self-revelation .
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The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
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I know the importance of highly trained awareness of the “moment” and the immediate and intuitive response of the photographer. It should be obvious to all that photographers whose images possess character and quality have attained them only by continued practice and total dedication to the medium.
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No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.
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There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define we can grasp them only in the depths of our perceptive spirit.
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