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Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Realize
Revealed
Realizing
Wood
Marsh
Nature
Simplest
Marshes
Today
Parks
Meadow
Wells
Wilderness
Meadows
Well
Streams
Remote
Must
Woods
Grandeur
Areas
Stream

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Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.
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I never know in advance what I will photograph,...I Go Out into the World and Hope I Will come across something that Imperatively interests me. I Am Addicted to the Found object. I have No doubt that I Will Continue to make Photographs till my last Breath.
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The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
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Art is both the taking and giving of beauty the turning out to the light the inner folds of the awareness of the spirit. It is the recreation on another plane of the realities of the world the tragic and wonderful realities of earth and men, and of all the inter-relations of these.
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The herculean task of a photographer is to capture a momentary frame as beautiful in reality, as it would be in a dream.
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The negative is the score, and the print the performance.
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A photograph is not an accident - is a concept. It exists at, or before, the moment of exposure of the negative.
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The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
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Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?
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We make images to honor what is greater and more interesting than we are.
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Life is your art. An open, aware heart is your camera. A oneness with your world is your film. Your bright eyes and easy smile is your museum.
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A good photograph is knowing where to stand.
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For me the future of the image is going to be in electronic form... You will see perfectly beautiful images on an electronic screen. And Id say that would be very handsome. They would be almost as close as the best reproductions.
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...one sees differently with color photography than black-and-white... in short, visualization must be modified by the specific nature of the equipment and materials being used.
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There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define we can grasp them only in the depths of our perceptive spirit.
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The quality of place, the reaction to immediate contact with earth and growing things that have a fugal relationship with mountains and sky, is essential to the integrity of our existence on this planet.
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Impression is not enough. Design, style, technique - these, too, are not enough. Art must reach further than impression or self-revelation .
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When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
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We all know the tragedy of the dustbowls, the cruel unforgivable erosions of the soil, the depletion of fish or game, and the shrinking of the noble forests. And we know that such catastrophes shrivel the spirit of the people... The wilderness is pushed back, man is everywhere. Solitude, so vital to the individual man, is almost nowhere.
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The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
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