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Emphasis on technique is justified only so far as it will simplify and clarify the statement of the photographer's concept.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Photographer
Clarify
Concepts
Simplify
Justified
Emphasis
Statement
Statements
Concept
Technique

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My last word s that it all depends on what you visualize.
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It is all very beautiful and magical here - a quality which cannot be described. You have to live it and breathe it, let the sun bake into you.
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For me the future of the image is going to be in electronic form... You will see perfectly beautiful images on an electronic screen. And Id say that would be very handsome. They would be almost as close as the best reproductions.
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No matter how sophisticated you may be, a large granite mountain cannot be denied - it speaks in silence to the very core of your being.
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The disciples are drawn to the high altars with magnetic certainty, knowing that a great Presence hovers over the ranges ... You were within the portals of the temple ... to enter the wilderness and seek, in the primal patterns of nature, a magical union with beauty.
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Bad weather makes for good photography.
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I know some photographs that are extraodrinary in their power and conviction, but it is difficult in photography to overcome the superficial power or subject the concept and statement must be quite convincing in themselves to win over a dramatic and compelling subject situation.
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Photography is more than a medium for factual communication of ideas. It is a creative art.
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The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
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In wisdom gathered over time I have found that every experience is a form of exploration.
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The term accessories has come to include a host of photographic gadgets of questionable value.
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A great photograph is a full expression of what one feels...
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We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion.
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The great rocks of Yosemite, expressing qualities of timeless yet intimate grandeur, are the most compelling formations of their kind. We should not casually pass them by, for they are the very heart of the earth speaking to us.
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Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
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Photographers and artists contribute a lot to the world and have a right to exist in relative security and comfort.
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The whole world is, to me, very much alive - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.
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Twelve significant photographs in any one year is a good crop.
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Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of phonies in all the arts.
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The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and the micro.
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