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Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Expression
Directs
Imagination
Machine
Quality
Product
Persons
Machines
Person
Image
Photography
Limits
Products

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I know some photographs that are extraodrinary in their power and conviction, but it is difficult in photography to overcome the superficial power or subject the concept and statement must be quite convincing in themselves to win over a dramatic and compelling subject situation.
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I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.
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The [35mm] camera is for life and for people, the swift and intense moments of life.
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To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
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I’m interested in something which is built up from within, rather than just extracted from without.
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To photograph truthfully and effectively is to see beneath the surfaces.
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We either have wild places or we don't. We admit the spiritual-emotional validity of wild, beautiful places or we don't. We have a philosophy of simplicity of experience in these wild places or we don't. We admit an almost religious devotion to the clean exposition of the wild, natural earth or we don't.
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The craft of photography is the key to good images.
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Myths and creeds are heroic struggles to comprehend the truth in the world.
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We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion. Many refuse to admit it: I feel a mystery exists. There are certain times, when, as on the whisper of the wind, there comes a clear and quiet realization that there is indeed a presence in the world, a nonhuman entity that is not necessarily inhuman.
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A great photograph is a full expression of what one feels...
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I believe in beauty. I believe in stones and water, air and soil, people and their future and their fate.
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Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.
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I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the father of the creative concepts of the twentieth century.
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It is my intention to present - through the medium of photography - intuitive observations of the natural world which may have meaning to the spectators.
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In wisdom gathered over time I have found that every experience is a form of exploration.
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In a strict sense photography can never be abstract, for the camera is incapable of synthetic integration.
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Landscape photography is the supreme test of the photographer - and often the supreme disappointment.
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It is increasingly clear to me that my art relates more and more to a sublimation of my closeness to the natural world, it's events, light itself, and the positive it is a personal expression based on observation and reaction, that I am not able to define except in terms of the work itself.
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Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.
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