Quote

Notebook. No photographer should be without one!

Ansel Adams

Change background

T
T
T

Change font

TAGS & TOPICS

Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Notebook
Photographer
Photography
Without

More quotes by Ansel Adams

Image
I can't verbalize the internal meaning of pictures whatsoever. Some of my friends can at very mystical levels, but I prefer to say that, if I feel something strongly, I would make a photograph, that would be the equivalent of what I saw and felt.
Ansel Adams
Image
I knew my destiny when I first experienced Yosemite.
Ansel Adams
Image
Image quality is not the product of a machine, but of the person who directs the machine, and there are no limits to imagination and expression.
Ansel Adams
Image
I believe in beauty. I believe in stones and water, air and soil, people and their future and their fate.
Ansel Adams
Image
We either have wild places or we don't. We admit the spiritual-emotional validity of wild, beautiful places or we don't. We have a philosophy of simplicity of experience in these wild places or we don't. We admit an almost religious devotion to the clean exposition of the wild, natural earth or we don't.
Ansel Adams
Image
You don't take a picture, you make a picture.
Ansel Adams
Image
The [35mm] camera is for life and for people, the swift and intense moments of life.
Ansel Adams
Image
We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.
Ansel Adams
Image
The next time you pick up a camera think of it not as an inflexible and automated robot, but as a flexible instrument which you must understand to properly use. An electronic and optical miracle creates nothing on its own! Whatever beauty and excitement it can represent exist in your mind and spirit to begin with.
Ansel Adams
Image
The photo-journalist and the photo-poet are both important. The problem is to separate the major objectives of the various groups and not to attribute qualities and intentions where they do not belong.
Ansel Adams
Image
We who are gathered here may represent a particular delete, not of money and power, but of concern for the earth for the earth's sake.
Ansel Adams
Image
Now there is a big turnover in the galleries. The top galleries are getting better all the time. A lot of galleries just struggle along, then a new one comes along. There are certainly a great number of galleries. I think this argues well for the art but there are, of course, a lot of phonies in all the arts.
Ansel Adams
Image
The disciples are drawn to the high altars with magnetic certainty, knowing that a great Presence hovers over the ranges ... You were within the portals of the temple ... to enter the wilderness and seek, in the primal patterns of nature, a magical union with beauty.
Ansel Adams
Image
One of the most important pieces of equipment, for the photographer who really wants to improve, is a great big wastepaper basket.
Ansel Adams
Image
Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.
Ansel Adams
Image
Art is both the taking and giving of beauty, the turning out to the light of the inner folds of the awareness of the spirit.
Ansel Adams
Image
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
Ansel Adams
Image
Some photographers take reality... and impose the domination of their own thought and spirit. Others come before reality more tenderly and a photograph to them is an instrument of love and revelation.
Ansel Adams
Image
While the photos at the D.M.V. (New York) will still be taken in color, the engraving is done in grayscale, hence the Ansel Adams feel.
Ansel Adams
Image
Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?
Ansel Adams