Quote

Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Wonder
Sunrise
Space
Valley
Always
Valleys
Stone
Yosemite
Vast
Domes
Golden
Edifice
Stones
Glitter
Green
Whispering

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I respect everything in change and the solemn beauty of life and death... and therefore, while man is amidst the immense beauty of objective bodies, he must possess the capacity of self-perfection and must observe and represent his world with full confidence.
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Photography has escalated almost exponentially! It is a language which covers almost every aspect of communication factual and expressive.
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If you have enough craft, you've done your homework and you're practiced. You can then make the photograph you desire.
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It is easy to take a photograph, but it is harder to make a masterpiece in photography than in any other art medium.
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Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.
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As the fisherman depends upon the rivers, lakes and seas and the farmer upon the land for his existence, so does mankind in general depend upon the beauty of the world about him for his spiritual and emotional existence.
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...one sees differently with color photography than black-and-white... in short, visualization must be modified by the specific nature of the equipment and materials being used.
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To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.
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When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
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I have often had a retrospective vision where everything in my past life seems to fall with significance into logical sequence.
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I know some photographs that are extraodrinary in their power and conviction, but it is difficult in photography to overcome the superficial power or subject the concept and statement must be quite convincing in themselves to win over a dramatic and compelling subject situation.
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Photography and photographers have an inevitable development. They progress more or less by steps. Every five or ten years some new point of view is developed and young people are inclined to follow it.
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The single most important component of a camera is the twelve inches behind it!
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Both the grand and the intimate aspects of nature can be revealed in the expressive photograph. Both can stir enduring affirmations and discoveries, and can surely help the spectator in his search for identification with the vast world of natural beauty and wonder surrounding him.
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The whole world is, to me, very much alive - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.
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Photograph not only what you see but also what you feel.
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My last word s that it all depends on what you visualize.
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The next time you pick up a camera think of it not as an inflexible and automated robot, but as a flexible instrument which you must understand to properly use. An electronic and optical miracle creates nothing on its own! Whatever beauty and excitement it can represent exist in your mind and spirit to begin with.
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