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Twelve significant photographs in any one year is a good crop.

Ansel Adams

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Ansel Adams
Age: 82 †
Born: 1902
Born: February 20
Died: 1984
Died: April 22
Environmentalist
Mountaineer
Photographer
Pianist
University Teacher
Writer
San Francisco County
California
Ansel Easton Adams
Ansel Easton Adams II
Ansel E. Adams
Years
Crops
Good
Photographs
Twelve
Photographer
Significant
Photograph
Photography
Year
Crop

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I usually have an immediate recognition of the potential image, and I have found that too much concern about matters such as conventional composition may take the edge off the first inclusive reaction.
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You don't make a photograph just with a camera
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If you have enough craft, you've done your homework and you're practiced. You can then make the photograph you desire.
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I am sure the next step will be the electronic image, and I hope I shall live to see it. I trust that the creative eye will continue to function, whatever technological innovations may develop.
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There is nothing worse than a sharp image of a fuzzy concept.
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The whole world is, to me, very much alive - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.
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All art is a vision penetrating the illusions of reality, and photography is one form of this vision and revelation.
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The next time you pick up a camera think of it not as an inflexible and automated robot, but as a flexible instrument which you must understand to properly use. An electronic and optical miracle creates nothing on its own! Whatever beauty and excitement it can represent exist in your mind and spirit to begin with.
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The great rocks of Yosemite, expressing qualities of timeless yet intimate grandeur, are the most compelling formations of their kind. We should not casually pass them by, for they are the very heart of the earth speaking to us.
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Emphasis on technique is justified only so far as it will simplify and clarify the statement of the photographer's concept.
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Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.
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The quality of place, the reaction to immediate contact with earth and growing things that have a fugal relationship with mountains and sky, is essential to the integrity of our existence on this planet.
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I respect everything in change and the solemn beauty of life and death... and therefore, while man is amidst the immense beauty of objective bodies, he must possess the capacity of self-perfection and must observe and represent his world with full confidence.
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I think we can not categorize. Things do not fit into a mold.
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Let us leave a splendid legacy for our children...let us turn to them and say, this you inherit: guard it well, for it is far more precious than money...and once destroyed, nature's beauty cannot be repurchased at any price.
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The negative is the score, and the print the performance.
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The artist and the photographer seek the mysteries and the adventure of experience in nature.
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We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow.
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Simply look with perceptive eyes at the world about you, and trust to your own reactions and convictions. Ask yourself: Does this subject move me to feel, think and dream? Can I visualize a print - my own personal statement of what I feel and want to convey - from the subject before me?
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A good photograph is knowing where to stand.
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