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Ordinary parties, he thought, were subtle games of sexual and social badminton.

Annie Proulx

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Annie Proulx
Age: 89
Born: 1935
Born: August 22
Author
Journalist
Librettist
Non-Fiction Writer
Novelist
Screenwriter
Norwich
Connecticut
E. Annie Proulx
E.A. Proulx
Edna Annie Proulx
Edna Ann Proulx
Sexual
Subtle
Ordinary
Games
Party
Social
Thought
Badminton
Parties

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I think it's important to leave spaces in a story for readers to fill in from their own experience.
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And it may be that love sometimes occurs without pain or misery.
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If you can't fix it, you have to stand it.
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Walking on the land or digging in the fine soil I am intensely aware that time quivers slightly, changes occurring in imperceptible and minute ways, accumulating so subtly that they seem not to exist. Yet the tiny shifts in everything--cell replication, the rain of dust motes, lengthening hair, wind-pushed rocks--press inexorably on and on.
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I find it satisfying and intellectually stimulating to work with the intensity, brevity, balance and word play of the short story.
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Anyway, there's something wrong with everybody and it's up to you to know what you can handle.
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If you get the landscape right, the characters will step out of it, and they'll be in the right place.
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If a piece of knotted string can unleash the wind, and if a drowned man can awaken, then I believe a broken man can heal.
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A spinning coin, still balanced on its rim, may fall in either direction.
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I am influenced by words and the chewiness of language
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It's easier to die if others around you are dying.
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I wish I knew how to quit you.
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It is my feeling that a story is not finished until it is read, and that the reader finishes it through his or her life experience, prejudices, worldview and thoughts.
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I rarely use the internet for research, as I find the process cumbersome and detestable. The information gained is often untrustworthy and couched in execrable prose. It is unpleasant to sit in front of a twitching screen suffering assault by virus, power outage, sluggish searches, system crashes and the lack of direct human discourse.
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In a rough way the short story writer is to the novelist as a cabinetmaker is to a house carpenter.
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There was some open space between what he knew and what he tried to believe, but nothing could be done about it, and if you can't fix it you've got to stand it.
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And I think that's important, to know how the water's gone over the dam before you start to describe it. It helps to have been over the dam yourself.
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Their silence comfortable. Something unfolding. But what? Not love, which wrenched and wounded. Not love, which came only once.
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If life was an arc of light that began in darkness, ended in darkness, the first part of his life had happened in ordinary glare. Here it was as though he had found a polarized lens that deepened and intensified all seen through it.
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You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.
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