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Such is the scale and depth of poverty in many parts of the world that it won't be ended overnight. That is why if, like me, you want to see an end to poverty, you need to be in it for the long haul.
Annie Lennox
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Annie Lennox
Age: 70
Born: 1954
Born: January 1
Hiv Activist
Music Video Director
Recording Artist
Singer
Singer-Songwriter
Songwriter
Aiberdeen
Ann Lennox
Ann Griselda Lennox
World
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More quotes by Annie Lennox
One realizes after a long time that, actually, we are contradictory, all of us.
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Success breeds the excitement to continue going.
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As a mother, you have that impulse to wish that no child should ever be hurt, or abused, or go hungry, or not have opportunities in life.
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I'm not really keen on comebacks. Eurythmics was an incredible thing. When I look back on that work, I feel very satisfied with it.
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I want to be true to who I am.
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Those in the developing world have so few rights - we take a lot for granted in the developed world.
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You know, I would say that songwriting is something about the expression of the heart, the intellect and the soul.
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Our ancestors are totally essential to our every waking moment, although most of us don't even have the faintest idea about their lives, their trials, their hardships or challenges.
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Charity is a fine thing if it's meeting a gap where needs must be met and there are no other resources. But in the long term we need to support people into helping themselves.
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Fame for fame's sake is toxic - some people want that, with no boundaries. It's unhealthy.
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When women get together as a group, it is immensely powerful.
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In memory, you can access something from the past, anything that you've experienced that you remember - it's there. Now, you might have a memento of it in a photograph or in a film or a building or some clothes that you wore. There might be something that connects you to this memory. But all of us are just all caught in this time, whatever that is.
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Although I have lived in London, I have never really considered London my home because it was always going to be a stopping-off point for me, and it has been too.
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We think that this is just our world and we don't know what other people are thinking. Music actually is a phenomenal connector in that respect. It's a special language that defines certain boundaries and connects people in a particular way, a very emotional way, I have found.
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The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
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I think life on the road really suits very egotistical men. It's set up for kings.
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My first understanding of HIV and AIDS was like everybody else from my generation. In the mid-'80s, we heard about this, and it was terrifying, because we knew nothing about how to respond to it appropriately, and we didn't really understand about how the virus is passed. There was a lot of misconception about that.
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For me, pointing and clicking my phone is absolutely fine. People say that isn't the art of photography but I don't agree.
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I think it takes a lot to put oneself in a place where, you know, that thing about Feel the fear and do it anyway. You wonder what the driving force is that makes you want to do that and not just stay in a safer place.
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I'm from a working-class background, and I've experienced that worry of not having a job next week because the unions are going on strike.
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