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There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
Annie Leibovitz
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Annie Leibovitz
Age: 75
Born: 1949
Born: October 2
Fashion Photographer
Photographer
Waterbury
Connecticut
Anna-Lou Leibovitz
Persons
Myth
Person
Photographer
Real
Supposed
Going
Subject
Make
Subjects
Interested
Portrait
Comfortable
Portraits
Whatever
Relax
More quotes by Annie Leibovitz
In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. Every time there is some terrible or great moment, we remember the stills.
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People buy ideas, they don't buy photographs.
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Photography's like this baby that needs to be fed all the time. It's always hungry.
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Coming tight was boring to me, just the face... it didn't have enough information.
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I actually love talking about taking pictures, and I think that helps everyone.
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What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
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I feel very proud of the work from the '80s because it is very bright and colorful.
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I'm more interested in being good than being famous.
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Most people, especially successful people, are hard-working. They want to participate. They want to do things well.
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I was out there with the White House press squad, and after his helicopter took off, and the carpet rolled up...This wasn't a photograph that others were taking, but I continued to take pictures.
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You don't have to sort of enhance reality. There is nothing stranger than truth.
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When I was younger, I did things with a camera I would not do by myself. I remember going down to the docks in San Francisco and asking a fisherman if he would take me out on his boat. I would never do that without a camera.
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My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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As you get older, you have different tools, and you learn to use photography differently.
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I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
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I'm pretty used to people not liking having their picture taken. I mean, if you do like to have your picture taken, I worry about you.
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When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
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I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.
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When you involve people, they come out, you see them, you get to see their sense of humor.
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When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
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