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I was out there with the White House press squad, and after his helicopter took off, and the carpet rolled up...This wasn't a photograph that others were taking, but I continued to take pictures.
Annie Leibovitz
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Annie Leibovitz
Age: 75
Born: 1949
Born: October 2
Fashion Photographer
Photographer
Waterbury
Connecticut
Anna-Lou Leibovitz
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More quotes by Annie Leibovitz
When you involve people, they come out, you see them, you get to see their sense of humor.
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I actually love talking about taking pictures, and I think that helps everyone.
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It's hard to watch something go on and be talking at the same time.
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When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
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I feel a responsibility to my backyard. I want it to be taken care of and protected.
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Nature is so powerful, so strong. It takes you to a place within yourself.
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There are still so many places on our planet that remain unexplored. I'd love to one day peel back the mystery and understand them.
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The pictures of my family were designed to be on a family wall, they were supposed to be together. It was supposed to copy my mother's wall in her house.
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My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
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People buy ideas, they don't buy photographs.
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I’d like to think that the actions we take today will allow others in the future to discover the wonders of landscapes we helped protect but never had the chance to enjoy ourselves.
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One doesn't stop seeing. One doesn't stop framing. It doesn't turn off and turn on. It's on all the time.
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No one ever thought Clint Eastwood was funny, but he was.
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I feel very proud of the work from the '80s because it is very bright and colorful.
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I fight to take a good photograph every single time.
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A photograph is just a tiny slice of a subject. A piece of them in a moment. It seems presumptuous to think you can get more than that.
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I don't try to overintellectua lize my concepts of people. In fact, the ideas I have, if you talk about them, they seem extremely corny and it's only in their execution that people can enjoy them...It's something I've learned to trust: The stupider it is, the better it looks.
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The subjects felt more comfortable if they played the role than if they had to be themselves.
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I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
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There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
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