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What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.

Annie Leibovitz

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Annie Leibovitz
Age: 75
Born: 1949
Born: October 2
Fashion Photographer
Photographer
Waterbury
Connecticut
Anna-Lou Leibovitz
Interested
Emotional
Wouldn
Without
Surprised
People
Landscape
Eventually
Pictures
Photographer

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I feel very proud of the work from the '80s because it is very bright and colorful.
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Photography's like this baby that needs to be fed all the time. It's always hungry.
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When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.
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All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.
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I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism.
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If it makes you cry, it goes in the show.
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The subjects felt more comfortable if they played the role than if they had to be themselves.
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You don't have to sort of enhance reality. There is nothing stranger than truth.
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I'm pretty used to people not liking having their picture taken. I mean, if you do like to have your picture taken, I worry about you.
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Everyone has a point of view. Some people call it style, but what we're really talking about is the guts of a photograph. When you trust your point of view, that's when you start taking pictures.
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I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position.
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I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.
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It's hard to watch something go on and be talking at the same time.
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Most people, especially successful people, are hard-working. They want to participate. They want to do things well.
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Nature is so powerful, so strong. Capturing its essence is not easy - your work becomes a dance with light and the weather. It takes you to a place within yourself.
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When you go to take someone's picture, the first thing they say is, what you want me to do? Everyone is very awkward.
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What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.
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As you get older, you have different tools, and you learn to use photography differently.
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When I'm asked about my work, I try to explain that there is no mystery involved. It is work. But things happen all the time that are unexpected, uncontrolled, unexplainable, even magical. The work prepares you for that moment. Suddenly the clouds roll in and the soft light you longed for appears.
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My hope is that we continue to nurture the places that we love, but that we also look outside our immediate worlds.
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