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My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.

Annie Leibovitz

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Annie Leibovitz
Age: 75
Born: 1949
Born: October 2
Fashion Photographer
Photographer
Waterbury
Connecticut
Anna-Lou Leibovitz
Always
Lens
Lenses
Closer
Environmental
Choice
Choices
Artist
Come

More quotes by Annie Leibovitz

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Photography's like this baby that needs to be fed all the time. It's always hungry.
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Coming tight was boring to me, just the face... it didn't have enough information.
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I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.
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What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
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A very subtle difference can make the picture or not.
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I don't try to overintellectua lize my concepts of people. In fact, the ideas I have, if you talk about them, they seem extremely corny and it's only in their execution that people can enjoy them...It's something I've learned to trust: The stupider it is, the better it looks.
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As you get older, you have different tools, and you learn to use photography differently.
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A photograph is just a tiny slice of a subject. A piece of them in a moment. It seems presumptuous to think you can get more than that.
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All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.
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I sometimes find the surface interesting. To say that the mark of a good portrait is whether you get them or get the soul - I don't think this is possible all of the time.
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When I'm asked about my work, I try to explain that there is no mystery involved. It is work. But things happen all the time that are unexpected, uncontrolled, unexplainable, even magical. The work prepares you for that moment. Suddenly the clouds roll in and the soft light you longed for appears.
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Everyone has a point of view. Some people call it style, but what we're really talking about is the guts of a photograph. When you trust your point of view, that's when you start taking pictures.
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You don't have to sort of enhance reality. There is nothing stranger than truth.
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The subjects felt more comfortable if they played the role than if they had to be themselves.
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If it makes you cry, it goes in the show.
Annie Leibovitz
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There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
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In this day and age of things moving so, so fast, we still long for things to stop, and we as a society love the still image. Every time there is some terrible or great moment, we remember the stills.
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You have trust in what you think. If you splinter yourself and try to please everyone, you can’t. It’s important to stay the course. I don’t think I would have lasted this long if I’d listened to anyone. You have to listen somewhat and then put that to the side and know that what you do matters.
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I shoot a little bit, maybe two rolls, medium format, which is 20 pictures, and if it's not working, I change the position.
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At my Rolling Stones' tour, the camera was a protection. I used it in a Zen way.
Annie Leibovitz