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The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

Annie Leibovitz

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Annie Leibovitz
Age: 75
Born: 1949
Born: October 2
Fashion Photographer
Photographer
Waterbury
Connecticut
Anna-Lou Leibovitz
Looks
Work
Manipulated
Think
Anyway
Thinking
Boring
Life
Strange
Pretty
Littles
Little

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I'm more interested in being good than being famous.
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If I didn't have my camera to remind me constantly, I am here to do this, I would eventually have slipped away, I think. I would have forgotten my reason to exist.
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I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.
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I don't try to overintellectua lize my concepts of people. In fact, the ideas I have, if you talk about them, they seem extremely corny and it's only in their execution that people can enjoy them...It's something I've learned to trust: The stupider it is, the better it looks.
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Everyone keeps asking you for pictures, and after a while you get tired of that. I always say, They are in the archives.
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A thing that you see in my pictures is that I was not afraid to fall in love with these people.
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When I take a picture I take 10 percent of what I see.
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I've always cared more about taking pictures than about the art market.
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I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.
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...I gave up on being a journalist - I thought having a point of view was more important than being objective.
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Computer photography won't be photography as we know it. I think photography will always be chemical.
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Coming tight was boring to me, just the face... it didn't have enough information.
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I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
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Sometimes I enjoy just photographing the surface because I think it can be as revealing as going to the heart of the matter.
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I feel a responsibility to my backyard. I want it to be taken care of and protected.
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My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
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A lot can be told from what happens in between the main moments.
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When I started working for Rolling Stone, I became very interested in journalism and thought maybe that's what I was doing, but it wasn't.
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When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
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As you get older, you have different tools, and you learn to use photography differently.
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