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The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.

Annie E. Clark

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Annie E. Clark
Age: 35
Born: 1989
Born: July 15
Civil Rights Advocate
Raleigh
North Carolina
Annie E. Clark | Annie Clark
Sound
Every
Really
Show
Tricky
Song
Sounds
Shows
Guitar
Littles
Entire
Able
Program
Little
Bits
Different

More quotes by Annie E. Clark

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I wanted to give the songs a run for their money, to see if they stood on their own without a lot of accoutrements. It made more sense - and it was easier, too - to go out alone and see if these songs could get in a couple of fistfights and still be standing.
Annie E. Clark
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It's pretty amazing, someone having that kind of charisma - and it still happens in micro and macro forms - to convince a whole gaggle of people to kill themselves. Or put on robes and jump up and down. That takes a very charismatic leader.
Annie E. Clark
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I like to deal with my dark side in a creative way, and just sing about killing people instead of actually doing it.
Annie E. Clark
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I think cults are probably a little less scary. To me, it's scarier that 25 people would wear robes and jump up and down and try to convert everyone to happiness than a Kool-Aid suicide.
Annie E. Clark
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I'm first and foremost a guitar player. I've been playing since I was 12, which is over half of my life.
Annie E. Clark
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For a brief moment, I considered deconstructing the song and going down a cerebral road, but then I realized it would kill what is most powerful about it.
Annie E. Clark
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I know that, physically, I'm a very demure-looking person. But I certainly have as much aggression or anger as the next person, and that's got to come out somehow. I'm lucky that I get to play music, and that it's not going to come out in some totally destructive way.
Annie E. Clark
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Everybody's got a dark side, but mine doesn't include being around people who are mean.
Annie E. Clark
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I think one thing people forget is that every technological advance we fetishize had its place in time.
Annie E. Clark
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I have the weirdest job. It's not every day that you get to stand up onstage and unload every ounce of your misanthropic bile onto a crowd of people, and they're like, Cool! Hit us again!
Annie E. Clark
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Checking voicemail is like, When's the other shoe going to drop? I'm always afraid it's going to be terrible news I don't want to hear.
Annie E. Clark
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I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
Annie E. Clark
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I wouldn't say I'm a very technical [guitar] player. I'm more intuitive - it's always more about chasing an abstraction.
Annie E. Clark
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I don't even wanna say female guitar-players, just guitar-players, because music of all things doesn't need to be gendered and stratified, that's so boring.
Annie E. Clark
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I'd listen to things that felt really good in the moment and realize they were clouded by enthusiasm or caffeine. And things that I was struggling to get out ended up being really compelling. It's an emotional roller coaster there's exhilaration and there's shame.
Annie E. Clark
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I think anything that you can't poke fun at is a little too precious.
Annie E. Clark
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I have a lot of guitar heroes I guess, some of them are female and some of them are male. Robert Fripp is one of them, and Marc Ribot, that's another guitar hero.
Annie E. Clark
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CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression.
Annie E. Clark
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I have a phobia of checking voicemail. I watched a lot of TV as a kid, and everything is, like, you're gonna get kidnapped, or somebody's gonna die, or killer bees are going to take you out. I'm a very anxious person.
Annie E. Clark
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I was like the roadie, I was carrying gear, checking things in at airports, making sure they had flowers backstage and interfacing with promoters who were sometimes really nice and sometimes a little seedy. It was a great apprenticeship, to be in the music industry.
Annie E. Clark