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I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too.
Annie Dillard
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Annie Dillard
Age: 79
Born: 1945
Born: April 30
Author
Essayist
Novelist
Poet
University Teacher
Writer
Pittsburg
Pennsylvania
Annie Dillard Doak
Eating
Along
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Nibbled
Getting
Frayed
Age
Eaten
Done
Survivor
World
Aging
Fallen
More quotes by Annie Dillard
Time is the warp and matter the weft of the woven texture of beauty in space, and death is the hurling shuttle.
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The way we live our days, is the way we live our lives.
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A schedule is a mock-up of reason and order - willed, faked, and so brought into being.
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Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed?
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The universe was not made in jest but in solemn incomprehensible earnest.
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We still and always want waking.
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A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time.
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Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
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You have to take pains in a memoir not to hang on the reader's arm, like a drunk, and say, 'And then I did this and it was so interesting.
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The way you live your days is the way you live your life.
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Whenever there is stillness there is the still small voice, God's speaking from the whirlwind, nature's old song, and dance.
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How can people think that artists seek a name? A name, like a face, is something you have when you're not alone. There is no such thing as an artist: there is only the world, lit or unlit as the light allows.
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We live in all we seek.
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Old memories are very easy to get except that once you write about something you've destroyed it.
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I work mornings only. I go out to lunch. Afternoons I play with the baby, walk with my husband, or shovel mail.
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Your freedom as a writer is not freedom of expression in the sense of wild blurting you may not let rip. It is life at its most free, if you are fortunate enough to be able to try it, because you select your materials, invent your task, and pace yourself.
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When you write, you lay out a line of words. Soon you find yourself deep in new territory.
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Whenever an encounter between a writer of good will and a regular person of good will happens to touch on the subject of writing, each person discovers, dismayed, that good will is of no earthly use. The conversation cannot proceed.
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I woke at intervals until . . . the intervals of waking tipped the scales, and I was more often awake than not.
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Having chosen this foolishness, I was a free being. How could the world ever stop me, how could I betray myself, if I was not afraid?
Annie Dillard